Music

Prism — Void Loop

A seamless C whole tone loop at 52.001 BPM, 9.2 seconds long, with 4 separate stems alongside the full mix. WAV masters plus OGG.

  • music
  • loop
  • seamless
  • stems
  • wholeTone
  • crystal
  • magic
  • fantasy
  • puzzle
Waveform strip of the Void music loop and its 4 stems, each labelled with its name and length
1600×595 previewtransparency shown as checkerboard

Listen

5 clips · streams on demand
  1. Void — full mix9.23soggwav
  2. Void — bass stem9.23soggwav
  3. Void — chords stem9.23soggwav
  4. Void — bells stem9.23soggwav
  5. Void — texture stem9.23soggwav

About this pack

Prism — Void Loop is a 9.2-second music loop in C whole tone at 52.001 BPM, written for deep space and anomaly loop — two augmented chords, no pulse, nothing to resolve to.

It loops properly, which is the whole difficulty. A track that fades out and fades back in is not a loop, it is a gap with music either side of it. Here the bar length is an exact number of samples, every reverb tail wraps around into the head rather than being cut off, and the last sample leads into the first without a step. The build measures the discontinuity at the wrap point against the same measurement taken everywhere else in the track and refuses anything that stands out.

The 4 stems — bass, chords, bells and texture — ship as separate files alongside the mix. That is what makes a loop usable rather than merely present: bring the bass in when combat starts and drop back to the rest in a menu, all on the same loop point, without a second track and without a crossfade that drifts out of time.

Nothing here is sampled or model-generated — it is procedural synthesis written for this pack, which is what keeps the licence simple. Files are 44.1 kHz mono, 16-bit WAV masters with OGG Vorbis alongside.

Download

Direct link · no sign-up · no wait page
Download ZIP3.9 MB

Loop and stems — WAV masters, OGG Vorbis, licence and readme

How to use it

  1. Set the clip to loop with no crossfade and no fade-in. The loop point is sample-exact, and a crossfade shortens it while introducing the artefact it is meant to hide.
  2. Layer the stems rather than switching tracks: they share one timeline, so bringing bass in or out mid-bar stays in time with everything else.
  3. Keep music on its own mixer group below the sound effects. Music at the same level as an interface click makes both harder to hear.

License

Creative Commons Attribution 4.0 — Free for commercial use. Credit required. Full terms · What this means in practice

Copy-paste credit line
"Prism — Void Loop" by Oğuzhan Girgin, licensed under CC BY 4.0 — https://www.colorosse.com/assets/audio/music/prism-music-loop